Tirta Gangga is a former royal palace in eastern Bali, Indonesia, about 5 kilometres from Karangasem, near Abang. Named after the sacred river Ganges in Hinduism, it is noted for the Karangasem royal water palace, bathing pools, a Patirthan temple, its cultural and religious significance. Tirta Gangga literally means water from the Ganges and it is a site of some reverence for the Hindu Balinese. Strictly, the name refers to the water palace built in 1948 by the Raja of Karangasem, Anak Agung Agung Anglurah Ketut Karangasem. It is, however, the name widely used to refer to the general area which includes the water palace and the lush rural areas around. Tirta Gangga water palace is a maze of pools and fountains surrounded by a lush garden and stone carvings and statues. The one hectare complex was built in 1946 by the late King of Karangsem but was destroyed almost entirely by the eruption of nearby Mount Agung in 1963. It has been lovingly re-built and restored and has an air of authentic royal magnificence. The centerpiece of the palace is an eleven tiered fountain and there are many beautiful carvings and statues adorning the gardens. The area around Tirta Gangga is noted for its rice paddy terraces.

Pura Penataran Agung Lempuyang is a Balinese Hindu temple or pura located in the slope of Mount Lempuyang in Karangasem, Bali. Pura Penataran Agung Lempuyang is considered as part of a complex of pura surrounding Mount Lempuyang, one of the highly regarded temples of Bali. The temples of Mount Lempuyang, represented by the highest pura at the peak of Mount Lempuyang, Pura Lempuyang Luhur, is one of the Sad Kahyangan Jagad, or the "six sanctuaries of the world", the six holiest places of worship on Bali. Pura Penataran Agung is located on the slope of Mount Lempuyang 600 metres (2,000 ft) high above sea level. Mount Lempuyang, also known as Mount Lempuyang Luhur, is one of the most sacred natural points in Bali. Pura Penataran Agung Lempuyang is oriented toward the top of Mount Lempuyang. The temple compound is divided into three areas: the outer sanctum of the temple (jaba pisan or nistaning mandala), the middle sanctum (jaba tengah or madya mandala), and the inner main sanctum (jero or utamaning mandala). Entrance to the outer sanctum (jaba pisan) is marked with a white-painted candi bentar split gate. Several bale (Balinese pavilions) are located in the outer sanctum, one of them is the rectangular bale gong ("gong pavilion") where the gamelans are stored. Another bale in this courtyard is the bale kulkul where the percussive drum to call for prayer is placed. Entrance to the middle sanctum (jaba tengah) is marked with three white-painted paduraksa portals. The entrance to the left is used for entry, while the entrance to the right is used for exit. The central door is usually closed and is only opened during the pura's main festival e.g. the biannual piodalan festival. The central portal is where sacred objects, heirloom, and offerings could pass during festival time. All three flight of stairs which lead to the paduraksa portals is flanked with mythical figures of Naga. Sculptures inspired by the epic of Ramayana, e.g. of Arjuna, Bima, and Yudhistira dots the landscape of the stair climb. On the uppermost level of these is the statue of Krishna, the worldly form of Vishnu. The uppermost inner sanctum (jero) is the most sacred courtyard of the Balinese temple. The courtyard of Pura Penataran Agung Lempuyang features several meru towers and pelinggih shrines each dedicated to different gods and local deities. Several padmasana shrines in the shape of empty stone thrones, each are dedicated to the highest god of Hindu pantheon e.g. the Sang Hyang Widhi and the gods of the Trimurti.